About Oscar Chan Yik LongOscar Chan Yik Long (b. 1988, Hong Kong) graduated from the Academy of Visual Arts of Hong Kong Baptist University in 2011. His practice focuses on personal experiences through different media including installation, drawing, painting most of which are site-specific. The works explore conditions of life, and how individuals associate themselves with others.The micro proposition of his work in recent years is fear, his artistic approach is distinguished by its confessional quality. Past exhibitions include solo exhibition "Soliquid" (Things That Can Happen, Hong Kong, 2017), "The Devil, Probably" (Observation Society, Guangzhou, 2015), and group exhibitions "Contagious Cities: Far Away, Too Close" (Tai Kwun Contemporary, Hong Kong, 2019), "Divided We Stand" (Busan Biennale, Busan, 2018), "A Tree Fell in the Forest and No One's There" (Power Station of Art, Shanghai, 2018), "Crush" (Para Site, Hong Kong, 2018), "Mountain Sites: View of Laoshan" (Sifang Art Museum, Nanjing, 2016) and "A Journal of the Plague Year" (Kadist Art Foundation and The Lab, San Francisco, 2015). The artist currently lives and works in Paris and Hong Kong.
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關於:陳翊朗陳翊朗(1988年,香港),2011年畢業於香港浸會大學視覺藝術系。創作穿梭裝置及繪畫等不同媒介,多與展覽場地互動。作品關注個體生存的狀態,將自身的經歷轉化對個人、群體至社會關係的探討。陳氏近年的作品賞試微觀地探討恐懼,以自我剖白的方式加以轉化和創作,參與展覽包括個展《自由落體》(咩事藝術空間,香港,2017),《也許是魔鬼》(觀察社,廣州,2015);群展《疫症都市:既遠亦近》(大館當代美術館,香港,2019)、《Divided We Stand》(釜山雙年展,釜山,2018)、《林中的樹倒下而沒有人在》(上海當代藝術博物館,上海,2018)、《黯戀》(Para Site藝術空間,香港,2018)、《山中美術館》(四方當代美術館,南京,2016)、《A Journal of the Plague Year》(Kadist Art Foundation and The Lab,三藩市,2015)。藝術家現於巴黎和香港定居及工作。
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À propos d'Oscar Chan Yik LongOscar Chan Yik Long (né en 1988 à Hong Kong, vit et travaille à Paris et à Hong Kong) est diplômé de l'Academy of Visual Arts, Hong Kong Baptist University en 2011. Le travail d’Oscar Chan Yik Long se développe aussi bien dans des installations de dessins imprimés sur tissu, de muraux exécutés à l'encre de chine, de peintures.... Il propose une vision graphique autour de représentations, où le grotesque grouillant sur des surfaces riches en micro histoires, là même où le détail se défait dans une prolifération dévorante d'une vision cauchemardesque flirtant avec de précieuses enluminures venimeuses. Ses dernières exposition personnelles sont In The Mouth of Madness (Gallery EXIT, Paris Internationale, Paris, 2019), Soliquid (Things That Can Happen, Hong Kong, 2017), The Devil, Probably (Observation Society, Guangzhou, 2015) ; il a aussi participé à Contagious Cities: Far Away, Too Close (Tai Kwun Contemporary, Hong Kong, 2019), Divided We Stand (Busan Biennale, Busan, 2018), A Tree Fell in the Forest and No One's There (Power Station of Art, Shanghai, 2018), Crush (Para Site, Hong Kong, 2018), Mountain Sites: View of Laoshan (Sifang Art Museum, Nanjing, 2016), et A Journal of the Plague Year (Kadist Art Foundation and The Lab, San Francisco, 2015).
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